Wednesday, May 6, 2020

Interview: Cavan Terrill

Our guest today is Cavan Terrill. He is the editor of Fusion Fragment, a Canadian short fiction magazine. Their first issue is out now, and it comes with a giveaway. For the writerly types, keep your eyes on the submissions page and be sure to follow Fusion Fragment on Twitter. Without further ado, let's get to the interview.

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Interview with Cavan Terrill


Alexandra Seidel: Hi, Cavan, and thank you for agreeing to the interview. You’re the editor of Fusion Fragment, a Canadian Magazine of speculative fiction. Before we get into that, tell us a bit about yourself.



Cavan Terrill: By day I work in healthcare IT specializing in patient intake forms, so I’ve spent the last couple of months helping develop a lot of COVID-19 screening questionnaires and education forms for patients. Everything before that sort of feels like a weird dream right now, which I’m sure is the same for a lot of people. These days I’m mostly staying sane by reading a lot and window-shopping vacations for whenever we’re allowed to go outside again.



AS: Wow. I admire the fact that during this crisis, you are still finding the time to put out a magazine! But Fusion Fragment isn’t new, right? You brought it back to life. Could you tell us about that and let us know what kind of venue Fusion Fragment was, is, and what you hope it will be?



CT: I started Fusion Fragment back in 2007, shortly after I’d finished university. I’d started a small publishing company and was interested in having a short-fiction market to feed into regularly published anthologies. None of those anthologies ever happened, though, and Fusion Fragment became the focus of all my editing efforts. At the time it was a very small market that only paid a token amount, but I was shocked at how often great stories would come my way. Knowing how many great stories out there never get the visibility they deserve played a big role in my decision to relaunch the zine.



As for what it is and will be, I’d love to say that I have some grand vision in mind. The truth is I just love being able to give great fiction a good home. If someone happens to pick up an issue and finds a story they like or a new author to follow, that’s all I’m after.



AS: I think bringing great fiction into the world is a good enough reason, and oftentimes smaller magazines offer a place for interesting stories that may not be a good fit for other places. But for the writers out there, can you tell us a bit about what kind of things you like, what you just can’t get enough of as an editor?



CT: I’m generally a lot more interested in characters than I am in concepts, so I find myself often drawn in by quiet, thoughtful stories that spend a lot of time developing a strong central character. Cyberpunk, post-apocalyptic and near-future SF stories are generally the easiest sells for me, but then again only two of seven stories in the first issue fall into those categories, so it gives you some idea as to how much weight I give to any specific subgenre.



I also tend to lean towards longer pieces that take their time in developing the narrative. There’s lots of great markets out there that focus on shorter-form pieces, but the sweet spot for me is usually in the 8,000-15,000 word range.



AS: In terms of genre, what will you consider? Only science fiction, or are you open to some fantasy as well?



CT: I expect I’ll stay squarely in the science fiction domain, but I’ve also learned to never say never. For example, if you’d asked me a couple months ago if I’d be publishing any vampire fiction, I’d have said no, and yet I’ve got a vampire piece lined up for the second issue. So, I’d say that fantasy would be a difficult sell for me, but not necessarily an impossible one.



AS: Science fiction and fiction in general tends to change with the times. Do you see anything that has changed in the kinds of stories you received back when you first started Fusion Fragment and the ones writers sent in for your relaunch?



CT: The most significant change that struck me was a tonal one. As a whole, the submissions I read this year were a lot more optimistic in tone than those from the zine’s original run. The world’s a lot grimmer than it was ten years ago and I think a lot of people are writing against that and trying to envision more positive futures.



AS: Let’s talk about readers; why should people come and read Fusion Fragment? How would you pitch the zine?



CT: My pitch is a straightforward one: Quality character-driven speculative fiction.



AS: Cavan, thanks for joining us for this interview!

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Fusion Fragment is a purveyor of fine speculative fiction. Follow Fusions Fragment on Twitter and grab an issue from the store.