Showing posts with label Diversity. Show all posts
Showing posts with label Diversity. Show all posts

Wednesday, July 8, 2020

Guest Post: Superhero versus Super Victim

Emily Carrington is back today to talk more about how disabled characters are depicted in fiction. If you need to catch up, read her earlier blog post.

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Superhero versus Super Victim

By Emily Carrington

Alexa Piper asked me to delve further into some of the topics I ranted about in a past post

Let’s talk about the superhero/super victim tropes.

From the “insane” wife in Jane Eyre to the partially disabled Ricky in The Longest Journey, two books I wanted to love, disabled characters are treated like shadows or little more than their disability. I’m not going to rag on the authors of either book because that’s impolite, they’re dead, and their opinions in the books reflected the mores of the times.

But it’s past time for society as a whole to wake the hell up and stop confining characters—and real, live people—to stereotypes.

Before we talk about the superhero/super victim trope:

Let’s talk about an uncomfortable topic: ableism. Ableism is like white privilege: it’s uncomfortable to talk about, it makes us squirm, and it’s absolutely necessary to admit it exists before we move forward.

What does ableism look like?

Ex-girlfriend: “Your disability is gross.”

Waiter (to sighted person who’s sitting with a blind person): “And what would she like?”

Clerk (in a store, pointing): “It’s over there.” This one doesn’t work with a blind person or a person in a wheelchair who can’t see over the racks.

Another clerk, turning away in the middle of a sentence so a deaf person can’t, if they have that capability, read their lips): “If you’ll follow me.”

And, the ever-popular: “You’re deaf/blind/in a chair/pick-your-poison, so you must be good at…”

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Okay, now that I’ve made you really uncomfortable, I’m going to tell you this: change is easier than you think. Try using some person-first language and see how it renews your perspective.

“My nephew is visually impaired.” (Identifying him first as part of your family and then as disabled.)

“My daughter has a friend who’s deaf.” (Identifying the second person as a friend first.)

Also try asking someone if they need help instead of assuming they do. Frankly, some of the reason (not all!) that disabled people get grumpy is because others insist on “helping” without asking if help is needed.

Examples of this from my own life:

Someone grabbing my arm to hustle me across a busy street when I’m perfectly capable of figuring out when it’s safe to cross.

Someone feeding my guide dog because “he looks hungry.”

I’m NOT saying that, as disabled people who do things differently, having an able-bodied person nearby who’s willing to help isn’t occasionally great.  Please just ask first. We’re much more likely to respond kindly in that case.

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Superhero:

“You’re blind/deaf/mentally challenged; you must be great at…”

There aren’t more blind musicians. A blind person has as much chance of becoming a musician as the rest of the population.

There aren’t more mentally challenged people who bond with animals than in the rest of the world.

And there aren’t more disabled people who are grumpy/happy/inspirational than any other group of people.

When anyone makes this assumption, it’s the equivalent of saying, “Happy Mother’s Day!” to random women on the street who may or may not have children. It’s also just like assuming any number of stereotypes:

African Americans are faster runners/good at sports/great at rhythm.

White people smell like dogs when they’re wet.

Asian Americans are smarter/better at school.

Even the most “celebratory” stereotype whittles a person down to that one quality. And if they don’t have that quality, they can be made to feel inferior.

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Super Victim:

“You’re so inspirational. You get up every day, dress yourself, walk around, and keep a smile on your face.”

“He can’t hear/see/walk/pick-your-poison. It must be awful for him.”

“I’ll pray for you, because God/Allah/Yaweh never wanted this for you.”

The first one emphasizes the ability to adult well. Unless the speaker says that to every adult they meet, it’s condescending.

For the second one, how is the speaker judging quality of life? By ableist means.

For the third, the speaker is assuming the disabled person wants to be cured, which is presumptuous.

Good rule to live by: If you wouldn’t say it to an able-bodied person, don’t say it to a disabled person. We all enjoy an acknowledgement sometimes, but no one appreciates a condescending pat on the head.

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Emily Carrington has been writing erotic gay romance since 2011, starting with Dragon in Training 1: Dragon Food. In 2018, Emily branched out into transgender romance with a trilogy and a single title: Lady Troubles trilogy and Midnight Sons, which is part of the Wolf Schooled trilogy. This year, Emily has branched out further by writing a sweet lesbian romance, Love and the Living Tree.

She is a great believer in diversity so her books are full of people of color, people with disabilities, and different religions.

Wednesday, April 22, 2020

Guest Post: On Writing LGBTQ Romance, M.D. Stewart

Today our guest is M.D. Stewart. She talks about what it was like when she started writing LGBTQ romance and has some great advice for those that want to try that.


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On Writing LGBTQ Romance
By M.D. Steart

Hello there! My name is M.D. Stewart, and I’d like to tell you a little about myself. I’ve been writing for just over two years now and have sixteen eBooks out. My stories are science fiction romance and paranormal romance. I also write a wide range of love interests. I’ve explored the traditional MF couples, MFM pairings (where the men have no interest in one another,) and LGBTQ characters. I have MM, MMF (all parties fully participate in sex), and one MMM love story.

In  Mine, Psy-Bond Book One (my first series,) the couple was a traditional MF pairing. I was surprised when the main character’s brother and his best friend mentioned having a sexual history together! I was stumped at how to even write a sex scene between two men. So I did what anyone would do, I messaged one of my gay friends and asked for his advice. In that direct message, I was so embarrassed, but he was happy to help me.

I would write a scene and then send it to him, and he’d give me pointers here and there. At the time, I hadn’t read any MM romance books, nor had I heard of Cocky Boys (a MM porn site). I felt like I was way out of my element, but my friend told me to stop thinking so hard and just let the story flow. He was right! But there was only one scene in that book where the men were alone, and since then I’ve graduated to books where the only main characters are men.

I started finding books with MM love stories. My first series was Lavendar Shores Series by Rosalind Able. From there I moved on to Lucy Lennox, then KM Neuhold and Nora Phoenix. I just seem to read all LGBTQ romances, from MM, FF, and even some trans characters (thanks to Ed Davies and EM Lindsey.) The main thing I learned is to treat the LGBTQ characters with the same respect as I would straight couples and not bring stereotypes into my story.

I’ve found a large support group on Facebook with other LGBTQ authors. We can talk about the backlash we sometimes get from readers who aren’t “into” gay romance. And that’s fine. Not everyone likes the same things, and thank goodness, right? I write what I want to read; love no matter the sex/sexual orientation of the characters. To me, romance is the essential element.  
 Escapism is part of why we pick up a book in the first place. Not that our lives are terrible, but who doesn’t love to immerse themselves in a story with a guaranteed happy ending? I feel that no matter who loves whom in my stories, the romance is the vital thing. The challenge is having compelling characters involved in storylines that keep the reader engaged. 

In Ours, Psy-bond Book Two, I explored the on-again/off-again relationship between Derek and Max. They had met a decade prior and were brought together again to save Max’s brother. Derek is a street-smart guy who could fight mean and dirty if needed. Max is a high-ranking Air Force officer who was in charge of a top-secret project involving aliens on Earth. Together, they learn they are drawn to Sahara, an alien female. Derek is caught off-guard since he’s always known he’s gay. It’s sort of a reverse “gay for you” story. He finds out he’s “bisexual for you,” and we watch him have all kinds of firsts with Max and Sahara.

In my latest book, Born a Demon, I’ve flipped that. Conner always thought he was straight until he meets Rager. But this is the fun part of writing, creating characters who grow and develop. I love to see my main characters change and learn. Conner doesn’t fight his attraction, and in fact, throws himself into a new experience. He does push back against labels put on him and his new lover. Rager was born in another dimension, and his species name, Demon, labels him evil. Conner falls in love with and has sex with a male, so he’s deemed bisexual. All Conner knows is that he’s in love with a sweet, caring, intelligent person, so his species and his genitals mean nothing. I find that amazing! 
 
Writing LGBTQ characters is the same as straight characters. They are people, period. Straight or gay, all humans have the same feelings, same goals, same needs. Yeah, describing body parts during sex scenes can be difficult. With two (or more) people involved in a scene, it can get confusing if poorly written. Especially if it’s a MM sex scene (I’ve not written FF books). There are only so many words you can use for male body parts. I also have to be careful with the overuse of pronouns.

For example, in this poorly written sentence – He reached behind him and tugged him closer. Okay, so which “he” reached behind whom? When in the middle of a love scene between male and female, “he” and “she” make it clear who is doing what. But with same-sex love scenes, that’s more confusing than helpful. If the reader is trying to figure out whose body part belongs to what character the story loses its flow. That’s been my biggest challenge as an author, being creative but precise in my writing.  My editors will be the first to agree with me on that!

I’m still learning. One tool is reading good books by wonderful authors and emulate their style. I don’t copy their stories or storylines, but I try to see why their words work. I also have a few of their books on audio. In my head, I’ll read the passage I’ve written and try to determine if it would sound good. If I stumble on the words, I try to think of a different way of expressing my thoughts. I still get “red lines” from my editors, but I think it works overall.

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I’d like to invite you to stop by my website, www.mdstewartauthor.com,  and read about me and see all of my books. On my Facebook page, https://www.facebook.com/MDStewartAuthor, you can keep up with my works in progress, find out what I’m doing on my blog, and even sign up for monthly birthday swag bag contests! I have other social media that you can stalk as well.